https://writing005.foxtecture.com/contents
2025-07-06T19:26:14+00:00
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https://writing005.foxtecture.com/3-0
2025-07-06T19:26:14+00:00
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https://freight.cargo.site/t/original/i/G2439732491990906277226529338551/Destory-the-Four-Olds2.jpg
<span class="illustration-caption"><i>
Red Guards burn a signboard bearing traditional calligraphy at a Confucian temple during the "Four Olds" campaign of China's Cultural Revolution (1966–1976). The movement sought to eradicate "old ideas, old culture, old customs, and old habits," often through violent destruction of cultural heritage.
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https://freight.cargo.site/t/original/i/Q2439732687341926017810680951991/Destory-the-Four-Olds.jpg
<span class="illustration-caption"><i>A crowd watches as the symbolic West Gate of Tsinghua University is defaced during the Cultural Revolution. Revolutionary fervor turned against even academic institutions, as students targeted architecture seen as vestiges of bourgeois or feudal culture.
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<i>Government-directed architectural ideology during the Cultural Revolution. This image shows a propaganda outlet titled "Proletarian Urban Planning Revolution" (Issue No. 1, 1966), calling for a complete rejection of “bourgeois” aesthetics such as solemnity, beauty, and modernisation in urban design.</i>
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https://writing005.foxtecture.com/3-1
2025-07-06T19:26:14+00:00
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https://freight.cargo.site/t/original/i/A2436798705912330109876808627383/1.png
<span class="illustration-caption"><i>Liang Sicheng, 1955</i></span>
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<span class="illustration-caption"><i>Liang Sicheng, 1955</i></span>
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<span class="illustration-caption"><i> A drawing in Liang’s book, showing his research on traditional Chinese architecture.</i></span>
https://freight.cargo.site/t/original/i/X2439771964702810082399268287671/274.png
<span class="illustration-caption"><i>Liang’s project in 1959 with traditional Big Roof as a symbol</i></span>
https://freight.cargo.site/t/original/i/I2439776888028122891036337288375/Liang_Sicheng.jpg
<span class="illustration-caption"><i>Liang was taught at the Architecture department of Tsinghua University.</i></span>
https://writing005.foxtecture.com/3-2
2025-07-06T19:26:15+00:00
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https://freight.cargo.site/t/original/i/F2436807134690865989613680768183/1429253883700.jpg
<span class="illustration-caption"><i>I.M.Pei, 2011</i></span><br /><br />
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https://freight.cargo.site/t/original/i/R2439779329251786861684688598199/IMP.jpg
<span class="illustration-caption"><i>I.M.Pei, 2011</i></span><br /><br />
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https://freight.cargo.site/t/original/i/A2439780704198303139699827848375/Xiangshan-Hotel-Plan.png
<span class="illustration-caption"><i>Xiangshan Hotel Plan</i></span>
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<span class="illustration-caption"><i>Atrium of Xiangshan Hotel</i></span>
https://freight.cargo.site/t/original/i/F2439792323396566799724780631223/Suzhou-Museum.png
<span class="illustration-caption"><i>Suzhou Museum, 2006</i></span>
https://writing005.foxtecture.com/3-3
2025-07-06T19:26:15+00:00
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https://freight.cargo.site/t/original/i/S2436845674108200129525365257399/Beijing_in-1912.png
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<span class="illustration-caption"><i>An article reflecting on I.M. Pei’s design of the Fragrant Hills Hotel in Beijing, discussing the challenges and aspirations of establishing a modern Chinese architectural identity. Published in Architectural Journal, the text captures a pivotal moment of re-engagement with global architectural discourse after the Cultural Revolution.</i></span>
https://writing005.foxtecture.com/3-4
2025-07-06T19:26:15+00:00
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https://freight.cargo.site/t/original/i/D2436854605246917368594456556727/Chen-Liang-Proposal.jpg